Author Archives: amy leigh morgan

About amy leigh morgan

I graduated from the University of Texas at Austin with a B.A. (Honors) in English Literature in 1997. My mentor was Betty Sue Flowers, consulting editor for the Joseph Campbell/Bill Moyers series The Power of Myth. I've been writing short stories and reading fairy tales since I was old enough to do so. I've written and edited for publications ranging from MSN.com to the Encarta Encyclopedia to indie magazines, but my first and deepest love has always been fairy tales. My influences are varied, but all share the qualities of being fantastic and visionary: Márquez, Morrison, Faulkner, McKillip, Tolkein, LeGuin, McCaffery, Gaiman. Diana Wynne Jones is a new passion. Garth Nix is also wonderful. Oh, and Phillip Pullman. And Terry Pratchett. And then we get into Carl Jung and Marie-Louise von Franz and their psychoanalytic interpretations of classic fairy tales. I could go on. But if you've made it this far, you might as well come to class and we can talk more there.

June class is full!

That’s right, ladies and germs, the June session of the Fairy Tale Factory is full to the brim. E-mail me if you’d like to be on the waiting list for (a) this session, in case someone drops out, (b) the fall workshop.

Rusalochka, with awesomely stylized animation

Check out the Russian version of “The Little Mermaid,” with magically delicious animation. I’m starting with part 2. If you’d like to watch the entire thing, just follow the link in the bottom right-hand corner of the YouTube embed and you’ll find the index for the rest on the right-hand side of the YouTube page.

Neil Gaiman on Writing

For me, I would rather read a good book, from a contented author. I don’t really care what it takes to produce that.

Some writers need a while to charge their batteries, and then write their books very rapidly. Some writers write a page or so every day, rain or shine. Some writers run out of steam, and need to do whatever it is they happen to do until they’re ready to write again. Sometimes writers haven’t quite got the next book in a series ready in their heads, but they have something else all ready instead, so they write the thing that’s ready to go, prompting cries of outrage from people who want to know why the author could possibly write Book X while the fans were waiting for Book Y.

I remember hearing an upset comics editor telling a roomful of other editors about a comics artist who had taken a few weeks off to paint his house. The editor pointed out, repeatedly, that for the money the artist would have been paid for those weeks’ work he could easily have afforded to hire someone to paint his house, and made money too. And I thought, but did not say, “But what if he wanted to paint his house?”

Neil Gaiman, one of my favorite public figures, talks about the relationship between readers, writers, inspiration, and life.

On Happiness

Taken directly from BoingBoing:

The June issue of The Atlantic has an article about a 72-year-long study at Harvard about how different experiences affect the health and happiness of people. Video above, full text of article here.

Is there a formula—some mix of love, work, and psychological adaptation—for a good life? For 72 years, researchers at Harvard have been examining this question, following 268 men who entered college in the late 1930s through war, career, marriage and divorce, parenthood and grandparenthood, and old age. Here, for the first time, a journalist gains access to the archive of one of the most comprehensive longitudinal studies in history. Its contents, as much literature as science, offer profound insight into the human condition—and into the brilliant, complex mind of the study’s longtime director, George Vaillant.

I Love You, Rilke

“We have no reason to mistrust our world, for it is not against us. Has it terrors, they are our terrors; has it abysses, those abysses belong to us; are dangers at hand, we must try to love them. And if we could only arrange our life according to that principle which counsels us that we must always hold to the difficult, then that which now seems to us the most alien will become what we most trust and find most faithful. How should we be able to forget those ancient myths that are at the beginning of all peoples, the myths about dragons that at the last moment turn into princesses; perhaps all the dragons in our lives are princesses who are only waiting to see us once beautiful and brave. Perhaps everything terrible is in its deepest being something helpless that wants our love.”

Ranier Maria Rilke
Letters to a Young Poet[?]

Where the Wild Things Are

There are distinct differences between traditional fairy tales and fantasy short stories. When I teach my class, I ask my students to stick to the former and eschew the latter. I love fairy tales and I believe passionately in the discipline of writing to the traditional fairy tale form. Plus, in a six-week class, there’s not enough time to stray too far from the curriculum.

However, I love fantasy short stories and novels just as passionately. I love comics, too. Any story form that takes me out of the world I know and into a world of surprise and possibility is a story form that I love.

So it is with tummy-tingling, heart-glowy anticipation that I await the release of this movie:

Dave Eggers wrote the script, and while he may be the most maddeningly over-hyped hipster author in print today, he’s also one talented mother[shutyourmouth]. I can’t wait to see how the movie turns out!

Beautiful Russian tale: Snegurochka

“Very, very long ago in an Old Russian village there lived an old couple: the woodcutter and his wife. They barely made the ends meet, owing to the old man who cut logs in the forest and carried them into the nearest town. They were poor and had no children, so as they grew older they became sadder and sadder. The old woman often asked, “Who will take care of us? We are so old.” Her husband used to answer, “Don’t worry, old woman. God will not leave us alone, he will help us, if necessary.”

One cold winter day they both went to the forest, the old man to chop wood and his wife to help him. The frost that day was severe. The old man said, “Shall we make a little snow-girl to solace us, as we have no child?” In a short time they had made a “Snegurochka” – a Snowmaiden. It was so beautiful that no tale could describe it and no pen could portray it. They were looking at it and becoming even sadder and the old woman said, “If only the almighty Lord had sent us a little girl looking like this Snegurochka.

Suddenly the Snowmaiden’s eyes twinkled and she became alive, may be owing to the strong desire of the poor good people. There was a precious tiara on her head, her hair was white as snow, a brocade cape covered her shoulders, and embroidered boots were on her feet. The woodcutter and his wife were amazed and could not believe their eyes. Snegurochka breathed, trembled and stepped forward. They grew numb thinking they were dreaming. Snegurochka came toward them and said, “Good afternoon, kind folks, do you want to be my parents? I will be a good daughter to you and honor you as mother and father.” “You will be the joy of our old age. Come home with us,” answered the old man and they led her from the forest.”

Read the whole story

courtesy of Coilhouse