creative writing seattle

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Two smart, funny friends forwarded this article to me recently. David Mamet (executive producer of The Unit, writer, director, smartguy) sent a memo to his writing staff with some seriously salient points about what makes good drama.

An excerpt (yes, written in all caps):

QUESTION:WHAT IS DRAMA? DRAMA, AGAIN, IS THE QUEST OF THE HERO TO OVERCOME THOSE THINGS WHICH PREVENT HIM FROM ACHIEVING A SPECIFIC, ACUTE GOAL.

SO: WE, THE WRITERS, MUST ASK OURSELVES OF EVERY SCENE THESE THREE QUESTIONS.

1) WHO WANTS WHAT?
2) WHAT HAPPENS IF HER[sic] DON’T GET IT?
3) WHY NOW?

THE ANSWERS TO THESE QUESTIONS ARE LITMUS PAPER. APPLY THEM, AND THEIR ANSWER WILL TELL YOU IF THE SCENE IS DRAMATIC OR NOT.

IF THE SCENE IS NOT DRAMATICALLY WRITTEN, IT WILL NOT BE DRAMATICALLY ACTED.

THERE IS NO MAGIC FAIRY DUST WHICH WILL MAKE A BORING, USELESS, REDUNDANT, OR MERELY INFORMATIVE SCENE AFTER IT LEAVES YOUR TYPEWRITER. YOU THE WRITERS, ARE IN CHARGE OF MAKING SURE EVERY SCENE IS DRAMATIC.

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Bedtime stories just got a little creepier and a lot funnier thanks to Granny O’Grimm, who gives the auld tales her own special twist.

The Granny O’Grimm site is pretty sweet, just brimming with games, downloads, and random frippery.

Thanks to SurLaLune!

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I generally try not to succumb to the wild, desperate advances of all the fairy tale kitsch that’s lurking out there in the forest, but I just can’t resist this one. It was the phrase, “Uh oh, somehow that wicked queen OD’d Snow White!” that got me:

You’re welcome.

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Once Upon a Blog just featured us. Which is delightful. Even more delightful were the awesome interview questions that Gypsy sent. S.M.R.T. (That means ’smart.’) They, and their answers, will be published at a later date – stay tuned.

Check it out. (She even published a photograph of me looking toothy and windswept!)

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Makes you think about what the Big, Bad Wolf might have eaten for lunch to produce just the right combination of volatile gasses when he huffed and puffed.

As always, thanks, Super Punch!

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All credit for this discovery goes to Noise to Signal.

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My friend Arlene picked this story as her favorite fairy tale:

LONG, long ago in the province of Tango there lived on the shore of Japan in the little fishing village of Mizu-no-ye a young fisherman named Urashima Taro. His father had been a fisherman before him, and his skill had more than doubly descended to his son, for Urashima was the most skillful fisher in all that country side, and could catch more Bonito and Tai in a day than his comrades could in a week.

But in the little fishing village, more than for being a clever fisher of the sea was he known for his kind heart. In his whole life he had never hurt anything, either great or small, and when a boy, his companions had always laughed at him, for he would never join with them in teasing animals, but always tried to keep them from this cruel sport.

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So I’ve been trying to write this one story for over three years. It’s short. It uses classic motifs. It should be easy. I’ve outlined it from beginning to end at least three times, which is usually my most difficult step. Once the outline is done, I bang out the story in one quick sitting, spend a week or two on revisions, and huzzah – on to the next thing.

So what’s the big deal with this one tale?

I have fallen into a common trap: I can’t separate my inspiration from my creation. There comes a time in the life of every story when the author must start doing what’s right for the tale, even if that means cutting out the things that initially inspired her. It’s like being a good parent: You had your heart set on your kid being a librarian or professional skateboarder; but as she grows up, it becomes clear that she is built for dentistry. If you ignore her gift for orthodontics and instead force her to spend her days at the skate park, you are doing her a disservice. As her parent, your job is to help her realize her best potential, even if it looks different than you thought it would at first. Same thing with authors and stories.

My story, initially, was about my grandparents. I loved my grandparents deeply, and I want to write a fairy tale about them and for them. This is a lot of emotional responsibility for my fledgling story. As I started my first drafts, I then got tangled up in a torturous, crazymaking love affair – and the story started being about that, too! So right out of the gate I am forcing my poor little story to carry a couple of massive suitcases around, like an 8-year-old bellhop at a third-rate hotel. And because I have all this STUFF that I want my story to do, I can’t just let go and have fun with it. Every time I start writing, I am so aware of my need to write a Great Love Story about Fidelity, Integrity, Home, Family, Femininity, Masculinity (can’t leave anyone out!), Creativity, and Identity. Oh, yeah – and it has to have cool imagery, great plot twists, and Zen-master control of language.

Phew! That’s a lot! My story slowly became a stinky chore. I now feel the same way about writing my story that I do about cleaning out the basement.

How can I make my story fun again? I have to release my terrible expectations. I have to accept that my story may never be a professional skateboarder. Then I have to commit to exploring what my story actually is instead of what I think it should be. Maybe dentists aren’t so bad…

All it takes is letting go. That’s not so hard, is it? [ahem]

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A KING was once hunting in a great wood, and he hunted the game so eagerly that none of his courtiers could follow him. When evening came on he stood still and looked round him, and he saw that he had quite lost himself. He sought a way out, but could find none. Then he saw an old woman with a shaking head coming towards him; but she was a witch.

`Good woman,’ he said to her, `can you not show me the way out of the wood?’

`Oh, certainly, Sir King,’ she replied, `I can quite well do that, but on one condition, which if you do not fulfil you will never get out of the wood, and will die of hunger.’

`What is the condition?’ asked the King.

`I have a daughter,’ said the old woman, `who is so beautiful that she has not her equal in the world, and is well fitted to be your wife; if you will make her lady-queen I will show you the way out of the wood.’

The King in his anguish of mind consented, and the old woman led him to her little house where her daughter was sitting by the fire. She received the King as if she were expecting him, and he saw that she was certainly very beautiful; but she did not please him, and he could not look at her without a secret feeling of horror. As soon as he had lifted the maiden on to his horse the old woman showed him the way, and the King reached his palace, where the wedding was celebrated.

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Haven’t posted any lovely eye-candy in what feels like a long while. Enjoy.

Super Punch rules the school.

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