Fairy tale art

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James Jean's Snow White

 

If you’re at a loss for a last-minute gift for the fairy-tale nerd in your life, consider this: The newly released collection of James Jean’s Fables cover art. I’d describe it in loving detail for you, but there’s no way I can out-do the publisher’s own press release.

Now, for the first time, the exquisite FABLES covers by James Jean, winner of multiple Eisner and Harvey Awards, whose diverse clients include Prada and Pepsi, are collected in one extraordinary volume!Perfect for any art-book library or FABLES completist, this volume includes never-before-seen sketch material, along with insightful commentary and remarkable insights into Jean’s creative process. Also included is an afterword by celebrated FABLES writer/creator Bill Willingham. Designed and annotated by the artist, this deluxe, oversized hardcover includes ten vellum sleeve inserts, an embossed case and other fine art details that make FABLES: COVERS BY JAMES JEAN as elegant and unique as the FABLES covers themselves.

James Jean, in case you hadn’t heard, is a genius artist whose portfolio includes art videos, a stunning collection of paintings and drawings, and, most importantly for you right now, this collection of covers from Bill Willingham’s wildly popular comic series, Fables(Fables is the comic book that inspired the TV series Once Upon a Time.) It lists for $50, but Amazon is offering it for $31. Jean’s portfolio site is also exceptional, with a selection of prints, jewelry, textiles, and other goodies for sale directly from the artist.

For those who’d like learn more about the world that inspired Once Upon a Time, Clockwork Storybook hosts a lively, robust forum dedicated to all things Fables. Willingham himself hangs out there and chats with fans, so it’s a great place to get a behind-the-scenes, authentic sense of the world, its author, and the folks who love it. Fabletown fans can also peruse reviews of the various collected volumes on Goodreads, or just take a chance and buy Fables Vol. 1: Legends in Exile from Amazon and see firsthand what all the fuss is about.

Check out Jean’s crazy video for Prada – I’ve posted it before, but it’s always nice to visit this weird world again:

 

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You can ring my Belle any day

"Till the Last Petal Falls" by Tim Shumate

 

Give your favorite Disney fan some saucy, original artwork this holiday season AND support an independent artist all at the same time. Tim Shumate has five fantastic fairy tale prints for sale over at Society 6, and each one costs just under $20. It’s good for your budget, it’s good for the economy, and it’s good for art. When it comes to gifts, it’s hard to beat these prints for sheer, unvarnished virtue and style.

Who's the fairest of them all?

"Waiting for Love's True Kiss"

 

Shop the rest of Tim’s awesome gallery.

 

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You’d probably imagine that a kid coming of age in a small, Texas, swamp town in the ’80s would have no choice but to listen to country music and muck about in the bayous trying not to get eaten by alligators. But strangely enough, a different path opened to me, just as wide and easy and obvious as if it were the only one: punk f-ing rock. For whatever reason, Port Arthur, Texas, had a thriving punk rock culture in the ’80s, and I ate it up with youthful abandon. My friends and I skateboarded around the oil refineries, we went to Houston to see bands whose names were dorky acronyms (SNFU, DRI, MDC – I am not even kidding), and we drove around in our crappy, old cars blasting the most offensive music we could find as loud as we could.

And of all the offensive music we could find, the music of the Jesus Lizard [link N(entirely)SFW] was up there at the top of the list. Raw, atonal, screeching, profoundly obnoxious – the Jesus Lizard was dazzlingly rude. But secretly that was not my favorite thing about them. What really caught my attention was their album cover art. It was…exquisite. Disturbing. Masterful as a Renaissance oil painting, and almost as profound. What the fuck was a nasty band like the Jesus Lizard doing with album art like that?

I mean, right?

So punk.

Well, it turns out that the band was friends with a guy whose dad happened to be a world-class oil painter who was weird as hell and an incredibly good sport: Malcolm Bucknall. (Later I found out that Mr. Bucknall was my best friend’s uncle. They had me over to dinner one night in their grand, Victorian house in Austin, TX, and I nearly died of hero worship.)

Beautiful Beast

What do you think, deer?

Malcolm Bucknall’s paintings are massive studies in sensual, uncomfortable surrealism. He uses the painstaking techniques of traditional oil painters to graft animal heads onto the bodies of Elizabethan lords and ladies, like fairy tale characters lost in the twilight lands between worlds.

The Most Beautiful Day

This baby grew up to be a health care lawyer.

 

It’s easy to imagine the subjects of Bucknall’s paintings making deals for one another’s souls, or being tricked into giving up three wishes to eager heroes and heroines. His recent work has moved away from oils and into watercolor washes and line drawings, but it’s no less masterful and weird.

There there, Bare Bear

Check out the rack on that bear!

 

If you like Malcolm Bucknall’s work, you can peruse a rich, satisfying archive at his gallery site. He’s represented exclusively by D Berman in Austin, Texas, and there’s a decent interview with him on the site.

What Kind of Fool Am I?

HRH Willie Nelson

Did I mention the Willie Nelson portrait?

 

 

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Illustration by Henry Justice Ford

"Let go of my beard, you jerk!"

Today’s fairy tale features yet another bad bargain, in which a tricksy villain blackmails an unknown reward from a desperate king. (Remember: If someone offers to save you from peril in exchange for the first thing that greets you when you get home? DON’T DO IT.) It also features 30 beautiful, shape-shifting maidens, amnesia, betrayal, wild flight, and a green-eyed monster.

Taken from Andrew Lang’s Green Fairy Book, this Russian tale is like a mash-up of many of my favorite motifs. See how many other fairy tales you can remember that use at least one of the same tropes.

King Kojata

There was once upon a time a king called Kojata, whose beard was so long that it reached below his knees. Three years had passed since his marriage, and he lived very happily with his wife, but Heaven granted him no heir, which grieved the King greatly. One day he set forth from his capital, in order to make a journey through his kingdom. He travelled for nearly a year through the different parts of his territory, and then, having seen all there was to be seen, he set forth on his homeward way. As the day was very hot and sultry he commanded his servants to pitch tents in the open field, and there await the cool of the evening. Suddenly a frightful thirst seized the King, and as he saw no water near, he mounted his horse, and rode through the neighbourhood looking for a spring. Before long he came to a well filled to the brim with water clear as crystal, and on the bosom of which a golden jug was floating. King Kojata at once tried to seize the vessel, but though he endeavoured to grasp it with his right hand, and then with his left, the wretched thing always eluded his efforts and refused to let itself be caught. First with one hand, and then with two, did the King try to seize it, but like a fish the goblet always slipped through his fingers and bobbed to the ground only to reappear at some other place, and mock the King.

‘Plague on you!’ said King Kojata. ‘I can quench my thirst without you,’ and bending over the well he lapped up the water so greedily that he plunged his face, beard and all, right into the crystal mirror. But when he had satisfied his thirst, and wished to raise himself up, he couldn’t lift his head, because someone held his beard fast in the water. ‘Who’s there? let me go!’ cried King Kojata, but there was no answer; only an awful face looked up from the bottom of the well with two great green eyes, glowing like emeralds, and a wide mouth reaching from ear to ear showing two rows of gleaming white teeth, and the King’s beard was held, not by mortal hands, but by two claws. At last a hoarse voice sounded from the depths. ‘Your trouble is all in vain, King Kojata; I will only let you go on condition that you give me something you know nothing about, and which you will find on your return home.’

The King didn’t pause to ponder long, ‘for what,’ thought he, ‘could be in my palace without my knowing about it–the thing is absurd;’ so he answered quickly:

‘Yes, I promise that you shall have it.’

The voice replied, ‘Very well; but it will go ill with you if you fail to keep your promise.’ Then the claws relaxed their hold, and the face disappeared in the depths. The King drew his chin out of the water, and shook himself like a dog; then he mounted his horse and rode thoughtfully home with his retinue. When they approached the capital, all the people came out to meet them with great joy and acclamation, and when the King reached his palace the Queen met him on the threshold; beside her stood the Prime Minister, holding a little cradle in his hands, in which lay a new-born child as beautiful as the day. Then the whole thing dawned on the King, and groaning deeply he muttered to himself ‘So this is what I did not know about,’ and the tears rolled down his cheeks. All the courtiers standing round were much amazed at the King’s grief, but no one dared to ask him the cause of it. He took the child in his arms and kissed it tenderly; then laying it in its cradle, he determined to control his emotion and began to reign again as before.

The secret of the King remained a secret, though his grave, careworn expression escaped no one’s notice. In the constant dread that his child would be taken from him, poor Kojata knew no rest night or day. However, time went on and nothing happened. Days and months and years passed, and the Prince grew up into a beautiful youth, and at last the King himself forgot all about the incident that had happened so long ago.

 

Find out what happens when the green-eyed monster comes to claim his prize.

 

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She's leading the next wave of illustrators

Have you already heard of Sveta Dorosheva? I must confess that I knew nothing about her until today when I stumbled across this interview with her in the ever-engaging Coilhouse magazine. But now that she’s on my radar, I’ll be watching her like a hawk!

With the mastery of shape, line, and audacity of Aubrey Beardsley, plus a narrative passion that (if properly nurtured) may one day approach Arthur Rackham’s, Dorosheva’s work satisfies my hunger for beautiful, seductive images in a way that few modern illustrators do. (Ray Caesar may be the only other who pushes the same buttons.)

From the Coilhouse interview:

I guess Russian fairy tales are the strongest influence from childhood, but I don’t mean that in the ‘sarafan&kokoshnik’ sense:) I mean they were full of wonderful and scary things, events and creatures, and that influenced my picture of the world for life. I remember that when a kid I took all of it for granted – evil stepmothers that wanted to eat their stepsons’ hearts and brains because he who eats them, would become king and spit golden coins…talking wolves and fire birds, immortal skeletons, frogs and birds throwing their skins and feathers off and turning into beautiful ladies, dead water that puts the pieces of a hero chopped by treacherous brothers together, and live water that then makes this frankenstein body come to life, witches with poison pins that turn people to stones… none of them were ‘terrible’ or ‘wonderful’ – they were just part of a fascinating plot. I guess childish perception is different from adult – it does not divide things into monstrous and beautiful. It just absorbs it all without labels, taking it all for granted.

I remember my three-year-old son seeing a dead bird in the street once in December. He insisted that we go and see its metamorphoses every day. I felt rather ill at ease, but he was INTERESTED, because he did not KNOW it was ‘disgusting’… To him bird-turning-to-a-skeleton or frog-turning-to-a-prince is the same type of natural metamorphosis that makes the world tick and such an interesting place to observe, there’s no good or bad, there’s just infinite variety and wonder. And that’s the thing about fairy tales. They booster imagination through metaphor when one is still open-minded, with no moral or social blinkers on (very useful, very reasonable blinkers, but still limiting).

From her 'Book illustrations' portfolio, via Coilhouse

And, lucky for us, she has a book coming out!

From the author:

It’s a book about people and human world, as seen through the eyes of fairy-tale creatures. They don’t generally believe in people, but some have travelled to our world in various mysterious ways. Such travelers collected evidence and observations about people in this book. It’s an assortment of drawings, letters, stories, diaries and other stuff about people, written and drawn by fairies, elves, gnomes and other fairy personalities. These observations may be perplexing, funny and sometimes absurd, but they all present a surprised look at the things that we, people, take for granted.

From her online portfolio

I strongly encourage you to head over to her portfolio and wallow in page after page of her exquisite work.

Many thanks to Coilhouse for consistently showcasing such top-notch talent.

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Today’s visual art Wednesday post isn’t about a single artist. It’s a collection of fairy tale commercials! I love advertising (I know, I’m a pervert), so it pleases me triple when people make clever ads in my favorite genre. Enjoy as the characters you know and love take a spin through the marketing machine.

Little Red Riding Hood:

Rapunzel:

Cinderella:

Princess and the Pea:

Sleeping Beauty:

And my favorite: Fairy tale in a vending machine:

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The Last Unicorns

Fairy tales are full of magical animals that turn into princes(ses), give sage advice, cough up enchanted items, and otherwise save the day. Who hasn’t yearned for an encounter with a magical animal, just once?

Sculptor Peter Gronquist gives us that chance, in his own, twisted way. His latest show, The Evolution Will Be Fabulous, reminds me of the villain in my favorite FTF student story, a cruel king who’s killed one of every animal in the forest and mounted their heads on the wall. Only this time the king was hunting magical animals, and those animals were deliciously dark and weird and dangerous.

I mean, right?

You can see these macabre beauties for yourself in Los Angeles, CA, at the Gallery 1988 in Venice through November 4. And you can take one home for as little as $5,000, if that’s your thing.

All I need is a tall ship and star to steer her by!

Thanks to the ever-amazing Super Punch for bringing this bit of wonder to my attention.

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What a lovely raven!

I’m just a few short weeks away from sending the first collection of illustrated student stories to the printer, so it seems like a good time to introduce the illustrator, Diana Sudyka.

I met Diana at Flatstock in Seattle two or three years ago, and was immediately taken with her work. To be totally honest, I thought she was out of my league, but I got her business card and chatted her up anyway, just for the fun of imagining I could one day hire a fancy-pants illustrator like her. Then I found out she’s married to Jay Ryan, on whom I have a total art crush, and I was so smitten I could hardly even look at her.

Civil War Widow

But the world is a very small place, and in the course of chatting, I discovered that these two super talented humans are friends with a friend of mine from back home, and suddenly we were laughing and sending him rude texts and telling embarrassing stories about him, and generally having a pretty good time. And then it didn’t seem so crazy or far-fetched that I might get Diana Sudyka to illustrate my little collection of stories, after all.

Buy this print!

So there you have it. The rest is history. A year or two later I called her up, sent her my illustration requests, and BANG. Seven gorgeous illustrations that I’m proud to print. You can see the rest of Diana’s portfolio at her site, or you can visit the Decoder Ring to treat yourself to a limited edition print.

I can’t wait to show you the FTF illustrations!

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Bowley's

Of all the recurring motifs in fairy tales, of all the many plot devices fairy tale tellers employ, my absolute favorite has got to be the bad bargain. People are forever accepting the help of magical creatures and promising things that somehow turn out to be much more than they’d ever intended to give. (Stupid people, don’t you know better than to give away the first thing that runs out to meet you when you get home?)

It’s a storytelling device that’s as ancient as it is effective, FTF alum Uncle Vinny even found a version of it in the Bible:

On behalf of Israel as a whole, and in reliance on the might of God the Judge, Jephthah challenges the Ammonites. Jephthah swears an oath:

“Whatever/whoever emerges and comes out of the doors of my house to meet me, when I return in peace from the people of Ammon, shall surely be God’s, and I shall sacrifice him/her/it as a holocaust.”[1] (Judges 11:31 – a holocaust is a burnt offering).

Who does that? Who thinks that’s a good idea? But you know what? Without this plot device, some of the world’s best fairy tales would never have been written.

And so, in celebration of the Bad Bargain, today’s fairy tale is “The Nixie of the Mill-Pond,” in which a desperate man makes a terrible bargain with a watery tart, then has to live with the consequences.

There was once upon a time a miller who lived with his wife in great contentment. They had money and land, and their prosperity increased year by year more and more. But ill luck comes like a thief in the night. As their wealth had increased so did it again decrease, year by year, and at last the miller could hardly call the mill in which he lived, his own. He was in great distress, and when he lay down after his day’s work, found no
rest, but tossed about in his bed, sorely troubled.

One morning he rose before daybreak and went out into the open air, thinking that perhaps there his heart might become lighter. As he was stepping over the mill-dam the first sunbeam was just breaking forth, and he heard a rippling sound in the pond. He turned round and perceived a beautiful woman, rising slowly out of the water. Her long hair, which she was holding off her shoulders with her soft hands, fell down on both sides, and covered her white body. He soon saw that she was the nixie of the mill-pond, and in his fright did not know whether he should run away or stay where he was. But the nixie made her sweet voice heard, called him by his name, and asked him why he was so sad.

The miller was at first struck dumb, but when he heard her speak so kindly, he took heart, and told her how he had formerly lived in wealth and happiness, but that now he was so poor that he did not know what to do.

Be easy, answered the nixie, I will make you richer and happier than you have ever been before, only you must promise to give me the young thing which has just been born in your house.

What else can that be, thought the miller, but a puppy or a kitten, and he promised her what she desired.

The nixie descended into the water again, and he hurried back to his mill, consoled and in good spirits. He had not yet reached it, when the maid-servant came out of the house and cried to him to rejoice, for his wife had given birth to a little boy. The miller stood as if struck by lightning. He saw very well that the cunning nixie had been aware of it, and had cheated him.

Hanging his head, he went up to his wife’s bedside and when she said, why do you not rejoice over the fine boy, he told her what had befallen him, and what kind of a promise he had given to the nixie…

Read the rest of the story. [Caveat: The original site is an academic site with tiny font, and no spaces between paragraphs. BUT. It is not the story's fault that it's poorly formatted. It's still a good story, and worth reading through to the end.]

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This print is only $40!

It’s no secret that I am a big fan of poster art. I think the most vibrant, compelling, beautiful art being made today is coming out of the illustration and gig poster community. So it pleases me to tell you about Dan Grzeca’s gorgeous prints.

Dan does gig posters for indie darlings like Okkervil River, the Black Keys, and Iron + Wine, and his work features loosey-goosey lines that feel more like sketches than finished drawings. He uses organic motifs, animals, plants, freshly-ploughed fields, but my absolute favorites are the recurring images of RVs, houses, and house-animal hybrids on tall, mechanical legs with all sorts of crazy business coming out the windows. When I think of modern fairy tale art, Dan’s work comes immediately to mind. Maybe I’ll get lucky and he’ll agree to illustrate the next Fairy Tale Factory collection!

That Winnebago is going places

The best part about these prints, for me, is that they’re priced between $30 and $60. Check them out.

Check out that pugnacious percolator.

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