fairy tales

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If you really stretch, you might be able to see fairy tales in this short video. Regardless, it’s worth your time and attention.

Coney Island Dream from Joshua Brown on Vimeo.

Courtesy of BoingBoing.

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Every once in a while it happens: You’re sick of all the old fairy tales, but you’re too tired to write a new one. So what do you do then?

You use the amazing Fairy Tale Generator, of course. Based on Vladimir Propp’s basic rules for fairy tales, this handy widget can sate your hunger for new stories without all the trouble of actually writing them.

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Fairy tale fan Lisa tipped me off to this amazing Jim Henson series a while back, and all I could think as I watched the videos was, “WHY have I never heard of this before? This is GENIUS.”

One of the most genius parts of the whole genius endeavor, in fact, is his version of one of my all-time favorites, “Hans My Hedgehog.”

Thanks, Lisa!

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So maybe it’s a little bit of a stretch to say this is related to fairy tales. But you know what? Making connections between seemingly unrelated things = creativity calisthenics.

See if you can write a story outline about a man whose nagging wife drives him to desperate measures: a deal with the wolf king!

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If you think fairy tales can’t help you find real solutions to real problems, think again.

From the extravagantly talented Noise to Signal.

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Okay, you guys. Despite the fact that my class focuses obsessively (some might say unhealthily) on plot (as opposed to character), I think every person who wants to write an engaging story should watch the following and pay close attention. Very close attention.

WARNING: Adult language and extremely tasteless jokes sprinkled throughout.

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Nothing is original. Steal from anywhere that resonates with inspiration or fuels your imagination. Devour old films, new films, music, books, paintings, photographs, poems, dreams, random conversations, architecture, bridges, street signs, trees, clouds, bodies of water, lights and shadows. Select only things to steal from that speak directly to your soul. If you do this, your work (and theft) will be authentic. Authenticity is invaluable; originality is nonexistent. And don’t bother concealing your thievery – celebrate it if you feel like it.

-Jim Jarmusch
Found at Quotes on Design

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Jack of Fables

Plucked directly from the glowing heart of BoingBoing’s Cory Doctorow:

“I’m a great fan of Bill Willingham’s Fables comics and its numerous spinoffs (nutshell description: all fictional characters, legends, and fables are actually alive, always have been, and are living in secret exile in New York, having been chased out of Fableland by “The Adversary,” a rapacious conqueror).

One of the most fun of these is the Jack books, which feature a set of parallel adventures of Jack — as in “Spratt” and “and the Beanstalk” and many other tales. Jack is handsome, womanizing, preternaturally lucky and cheerfully amoral doofus of a fable who is forever incurring the wrath of the Fable establishment by violating their rules by, say, pursuing a career as a Hollywood executive (he fits right in in Tinseltown, naturally).”

Read the rest

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What do we read them for, and how do we read them? We read for the telling, for the “and then he … and then she … and so it turned out …” as far as “they lived happily ever after”, which takes the story out of the time of the telling. Aristotle said you could have tragedy without character; he was right – and we can also have stories without character or feeling. Maria Tatar, the Harvard expert on children’s literature, feels that children read such tales typically by siting themselves in the world of the tales as fascinated onlookers or audiences, not as part of the closed world of the story. Reading in this way is a particular and necessary pleasure, quite different from reading for instruction, or identification with feeling.

From the remarkably good fairy tales series at the Guardian UK.

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I’d never read this one before, and was delighted by it! It showcases two of my favorite motifs: animal transformation and beating the Devil.

THERE was once a young fellow who enlisted as a soldier, conducted himself bravely, and was always the foremost when it rained bullets. So long as the war lasted, all went well, but when peace was made, he received his dismissal, and the captain said he might go where he liked. His parents were dead, and he had no longer a home, so he went to his brothers and begged them to take him in, and keep him until war broke out again. The brothers, however, were hard-hearted and said, “What can we do with thee? thou art of no use to us; go and make a living for thyself.” The soldier had nothing left but his gun; he took that on his shoulder, and went forth into the world. He came to a wide heath, on which nothing was to be seen but a circle of trees; under these he sat sorrowfully down, and began to think over his fate. “I have no money,” thought he, “I have learnt no trade but that of fighting, and now that they have made peace they don’t want me any longer; so I see beforehand that I shall have to starve.” All at once he heard a rustling, and when he looked round, a strange man stood before him, who wore a green coat and looked right stately, but had a hideous cloven foot.

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