Tag Archives: write fairy tales

Fairy Tale Friday: The Ash Lad Who Had an Eating Match with a Troll (for Lisa)

Don't mess with the Ash Lad.

Today’s trickster tale comes to us courtesy of FTF friend Lisa, who said it reminded her of Pinkel the Thief (which was a Friday story back in April). It’s a Norwegian tale, and if you like your stories cold, dark, and full of trolls, you can find more like it at the Norwegian Folk Tales page of ancestry.com.

Side note: The Ash Lad is apparently a recurring figure in Norwegian folklore, and also the surprisingly foxy star of an ad campaign for underwear. [Thanks to Gypsy at the always great Once Upon a Blog for the tip.]

The Ash Lad Who Had an Eating Match with a Troll 

There was once a farmer who had three sons. He was badly off. and old and feeble, and his sons wouldn’t turn their hands to a thing. To the farm belonged a large, good forest, and there the father wanted the boys to chop wood and see about paying off some of the debt. At last he got them around to his way of thinking, and the eldest was to go out chipping first.

When he had made his way into the forest, and had started chopping a shaggy firtree, a big, burly Troll came up to him. “If you’re chopping in my forest, I’m going to kill you!” said the Troll. When the boy heard that, he flung aside the ax and headed for home again as best he could. He got home clean out of breath, and told them what had happened to him. But his father said he was chicken-hearted. The Trolls had never scared him from chopping wood when he was young, he said.

On the next day the second son was to set out, and he fared just like the first. When he had struck the fir tree a few blows with his ax, the Troll came up to him, too, and said,” If you’re chopping in my forest, I’m going to kill you!” The boy hardly dared look at him. He flung aside the ax and took to his heels just like his brother, and just as fast. When he came home again, his father became angry and said that the Trolls had never scared him when he was young.

On the third day the Ash Lad wanted to set out. “You?” said the two eldest. “You’ll certainly manage it – you who’ve never been beyond the front door!” He didn’t say much to that, the Ash Lad didn’t, but just asked for a big a lunch as possible to take with him. His mother had no curds, so she hung the cauldron over the fire to curdle a little cheese for him. This he put in his knapsack, and set out on his way.

When he had been chopping for a little while, the Troll came to him and said, “If you’re chopping in my forest, I’m going to kill you!”

But the boy wasn’t slow. He ran over to the knapsack to get the cheese, and squeezed it till the whey spurted.”If you don’t hold your tongue,” he shrieked to the Troll, “I’ll squeeze you the way I’m squeezing the water out of this white stone!”

“Nay, dear fellow! Spare me!” said the Troll. “I’ll help you to chop!” Well, on that condition the boy would sparehim, and the Troll was clever at chopping, so they managed to fell and cut many cords of wood during the day.

As evening was drawing night, the Troll said,” Now you can come home with me. My house is closer than yours.” Well, the boy went along, and when they came to the Troll’s home, he was to make up the fire in the hearth, while the boy was to fetch water for the porridge pot. But the two iron buckets were so big and heavy that he couldn’t so much as budge them.

So the boy said, “It’s not worth taking along these thimbles. I’m going after the whole well, I am!”

“Nay, my dear fellow,” said the Troll. “I can’t lose my well. You make the fire and I’ll go after the water.” When he came back with the water, they cooked up a huge pot of porridge.

“If it’s the same to you,” said the boy, “let’s have an eating match!”

“Oh, yes,” replied the Troll, for at that he felt he could always hold his own. Well, they sat down at the table, but the boy stole over and took the knapsack and tied it in the front of him, and he scooped more into the knapsack than he ate himself. When the knapsack was full, he took up his knife and ripped a gash in it. The Troll looked at him, but didn’t say anything. When they had eaten a good while longer, the Troll put down his spoon. “”Nay! Now I can’t manage any more!” he said

“You must eat!” said the boy. “I’m barely half full yet. Do as I did and cut a hole in your stomach, then you can eat as much as you wish!”

“But doesn’t that hurt dreadfully?” asked the Troll.

“Oh, nothing to speak of,” replied the boy. So the Troll did as the boy said, and then, you might know, that was the end of him. But the boy took all the silver and gold to be found in the mountain, and went home with it. With that he could at least pay off some of the debt.

Fairy Tale Friday on Saturday: Pinkel the Thief

Wicked Pinkel robs one of these creatures and steals the other. (Side note: Do you let your goats get into the bed with you? Discuss.)

 

Last week kicked off the latest Intro to Writing Fairy Tales class, and the students had to find a fairy tale they love or hate, then post a link to it on the FTF Facebook page. My favorite so far is “Pinkel the Thief,” yet another from Andrew Lang (this time from the Orange Fairy Book). It’s a trickster tale, featuring the clever, industrious, youngest son who consistently outwits his two lazy, envious brothers AND the evil witch who lives on an island.

Unlike many of my other featured stories, it does not contain any instances of cannibalism, mutilation, or jaw-dropping wickedness. Except for that one part where the girl gets pushed into the well.

How can a story be any good without cannibalism, mutilation, or jaw-dropping wickedness? You’ll just have to read and find out.

PINKEL THE THIEF

Long, long ago there lived a widow who had three sons. The two eldest were grown up, and though they were known to be idle fellows, some of the neighbours had given them work to do on account of the respect in which their mother was held. But at the time this story begins they had both been so careless and idle that their masters declared they would keep them no longer.

So home they went to their mother and youngest brother, of whom they thought little, because he made himself useful about the house, and looked after the hens, and milked the cow. ‘Pinkel,’ they called him in scorn, and by-and-by ‘Pinkel’ became his name throughout the village.

The two young men thought it was much nicer to live at home and be idle than to be obliged to do a quantity of disagreeable things they did not like, and they would have stayed by the fire till the end of their lives had not the widow lost patience with them and said that since they would not look for work at home they must seek it elsewhere, for she would not have them under her roof any longer. But she repented bitterly of her words when Pinkel told her that he too was old enough to go out into the world, and that when he had made a fortune he would send for his mother to keep house for him.

The widow wept many tears at parting from her youngest son, but as she saw that his heart was set upon going with his brothers, she did not try to keep him. So the young men started off one morning in high spirits, never doubting that work such as they might be willing to do would be had for the asking, as soon as their little store of money was spent.

But a very few days of wandering opened their eyes. Nobody seemed to want them, or, if they did, the young men declared that they were not able to undertake all that the farmers or millers or woodcutters required of them. The youngest brother, who was wiser, would gladly have done some of the work that the others refused, but he was small and slight, and no one thought of offering him any. Therefore they went from one place to another, living only on the fruit and nuts they could find in the woods, and getting hungrier every day.

One night, after they had been walking for many hours and were very tired, they came to a large lake with an island in the middle of it. From the island streamed a strong light, by which they could see everything almost as clearly as if the sun had been shining, and they perceived that, lying half hidden in the rushes, was a boat.

‘Let us take it and row over to the island, where there must be a house,’ said the eldest brother; ‘and perhaps they will give us food and shelter.’ And they all got in and rowed across in the direction of the light. As they drew near the island they saw that it came from a golden lantern hanging over the door of a hut, while sweet tinkling music proceeded from some bells attached to the golden horns of a goat which was feeding near the cottage. The young men’s hearts rejoiced as they thought that at last they would be able to rest their weary limbs, and they entered the hut, but were amazed to see an ugly old woman inside, wrapped in a cloak of gold which lighted up the whole house. They looked at each other uneasily as she came forward with her daughter, as they knew by the cloak that this was a famous witch.

‘What do you want?’ asked she, at the same time signing to her daughter to stir the large pot on the fire.

‘We are tired and hungry, and would fain have shelter for the night,’ answered the eldest brother.

‘You cannot get it here,’ said the witch, ‘but you will find both food and shelter in the palace on the other side of the lake. Take your boat and go; but leave this boy with me–I can find work for him, though something tells me he is quick and cunning, and will do me ill.’

‘What harm can a poor boy like me do a great Troll like you?’ answered Pinkel. ‘Let me go, I pray you, with my brothers. I will promise never to hurt you.’ And at last the witch let him go, and he followed his brothers to the boat.

Find out whether Pinkel keeps his promise.

 

New Creative Writing Class: Intro to Writing Fairy Tales

Pucker up!

Come write fairy tales with me!

After nearly two years on hiatus from teaching, I have just secured a fabulous classroom for a new Intro to Writing Fairy Tales class!

This is what I sent out to the mailing list:

Learn how to write your own fairy tales on Saturday afternoons from April 14 – May 19
(12 pm – 3 pm).

The Intro to Writing Fairy Tales class is a terrific choice for authors of all experience levels. I tailor the class exercises to meet the needs of each student, so everyone has fun, works just hard enough, and ends up with a complete fairy tale by the end of the class.

Visit http://www.writefairytales.com to learn more or register now.

This six-week class costs $250. But you can save $50 if you register before March 18.

Not sure it’s worth it? See what other people think about the class.

We’ll meet at the Phinney Neighborhood Center – my favorite place to teach in the entire city. Ample parking, gorgeous classrooms, and a lovely neighborhood to stroll around before or after class.

Class description:

Intro to Writing Fairy Tales
Spend six weeks in the land of Fairy. Learn the basic rules of the genre, plus a variety of approaches to fairy tales as readers and as writers. Study western European tales from the late middle ages to modern times. Write a lot! Writing exercises assigned after each class. By the end of the course you will have written at least one original fairy tale of your own. All experience levels welcome.$250.

I hope to see you there!

How to Write Better Stories: According to Elmore Leonard

Even if you’re never read an Elmore Leonard novel, chances are good you’ve heard of his work. His detective novels star colorful, salty characters who engage in mayhem and highjinx, and many have been made into movies like Get Shorty, Jackie Brown, 3:10 to Yuma, and about a hundred more (give or take). His advice to writers contradicts some of the things I teach in my class, but they’re absolutely true, anyway.

 

P.S. Happy New Year!

How to Finish Projects

Flo Jo takes it home

Finishing anything at all is a total win

There are three key steps to finishing any project:

  1. Make it a distinct task, separate from your initial creative impulse
  2. Define what “finished” means before you start, so you know when you’re done
  3. Adjust your expectations down to realistic levels

The dirty secret that keeps people from finishing things: They don’t want to. Finishing things is no fun. That’s why you have to treat finishing as a separate activity, distinct from your initial creative impulse.

Finishing has nothing to do with starting. It’s like doing your taxes, or taking out the trash. When you get to the end of a project, the most useful thing you can do is reframe it as a brand-new thing, with a brand-new set of expectations and assumptions attached to it.

The least popular of my classes is the last session of Intro to Writing Fairy Tales. Everyone has heard the same stories at least once/week for five straight weeks. They’ve listened to endless iterations, struggled with intractable characters or plot points that never quite resolved to satisfaction, watched with frustration as the delicate soufflés of their literary ambition slowly deflate (every once in a while a story turns out better than anyone expected, but that’s rare). And they hate it. The only reason they stay is because I trick them into signing up for a public reading while their enthusiasm is still high, and we use the last class to polish the stories for the performance. There is so much sighing and grumbling in the last Intro to Writing Fairy Tales class. (“Finished” for them means “ready to read to a room full of strangers.”)

But you know what? The ones who hang in there, who honestly consider feedback on their second and third revisions, then go home to revise those hateful, lumpy passages again and again? When the time comes for the reading, they stand up in front of the microphone, read their fairy tales to a fresh group of listeners, and their stories shine like diamonds. Their stories are not only better than the stories of their less persistent classmates, they’re overall better than they realized!

By the end of the night they forget how much they hated their stories, and they’re practically drunk on praise, satisfaction, and the pleasure of showing up and doing their best. It’s amazing.

It’s easy to lose perspective when you’re working on the sixteenth version of something. You think it sucks, your [classmates, friends, family, pets, etc.] are starting to act like they’ll die if they hear/see it again. You can’t remember why you’re working so hard on something you’re probably not getting paid for.

By the time you’re finishing something, you’re usually sick to death of it, yourself, and everything associated with it—and you’re nose to nose with your limitations, which is often unpleasant. (This is why it helps to have low expectations. Don’t try to write a masterpiece. Just write a story with a beginning, middle, and end that you’re not ashamed to read to some strangers in a bar.)

But if you can make it to the finish line, you’ll be rewarded with a sense of satisfaction that’s bigger than the castle in the sky that got you started in the first place. Starting is about sparkles and fairy dust, tangerine-colored splashes of creative juice running down your chin, worlds of possibility opening before you—each more perfect than the last. Finishing is about sandpaper and touch-up paint, obsessive attention to detail and, finally, compromise—reconciling your real-life abilities with your ambitions. It’s also about having a real thing to show off. It sets you apart. Lots of people start. Finishing things makes you kind of a rock star. That’s worth a little discomfort, isn’t it?

 

 

Fairy Tale Friday: The Nixie of the Mill-Pond

Bowley's

Of all the recurring motifs in fairy tales, of all the many plot devices fairy tale tellers employ, my absolute favorite has got to be the bad bargain. People are forever accepting the help of magical creatures and promising things that somehow turn out to be much more than they’d ever intended to give. (Stupid people, don’t you know better than to give away the first thing that runs out to meet you when you get home?)

It’s a storytelling device that’s as ancient as it is effective, FTF alum Uncle Vinny even found a version of it in the Bible:

On behalf of Israel as a whole, and in reliance on the might of God the Judge, Jephthah challenges the Ammonites. Jephthah swears an oath:

“Whatever/whoever emerges and comes out of the doors of my house to meet me, when I return in peace from the people of Ammon, shall surely be God’s, and I shall sacrifice him/her/it as a holocaust.”[1] (Judges 11:31 – a holocaust is a burnt offering).

Who does that? Who thinks that’s a good idea? But you know what? Without this plot device, some of the world’s best fairy tales would never have been written.

And so, in celebration of the Bad Bargain, today’s fairy tale is “The Nixie of the Mill-Pond,” in which a desperate man makes a terrible bargain with a watery tart, then has to live with the consequences.

There was once upon a time a miller who lived with his wife in great contentment. They had money and land, and their prosperity increased year by year more and more. But ill luck comes like a thief in the night. As their wealth had increased so did it again decrease, year by year, and at last the miller could hardly call the mill in which he lived, his own. He was in great distress, and when he lay down after his day’s work, found no
rest, but tossed about in his bed, sorely troubled.

One morning he rose before daybreak and went out into the open air, thinking that perhaps there his heart might become lighter. As he was stepping over the mill-dam the first sunbeam was just breaking forth, and he heard a rippling sound in the pond. He turned round and perceived a beautiful woman, rising slowly out of the water. Her long hair, which she was holding off her shoulders with her soft hands, fell down on both sides, and covered her white body. He soon saw that she was the nixie of the mill-pond, and in his fright did not know whether he should run away or stay where he was. But the nixie made her sweet voice heard, called him by his name, and asked him why he was so sad.

The miller was at first struck dumb, but when he heard her speak so kindly, he took heart, and told her how he had formerly lived in wealth and happiness, but that now he was so poor that he did not know what to do.

Be easy, answered the nixie, I will make you richer and happier than you have ever been before, only you must promise to give me the young thing which has just been born in your house.

What else can that be, thought the miller, but a puppy or a kitten, and he promised her what she desired.

The nixie descended into the water again, and he hurried back to his mill, consoled and in good spirits. He had not yet reached it, when the maid-servant came out of the house and cried to him to rejoice, for his wife had given birth to a little boy. The miller stood as if struck by lightning. He saw very well that the cunning nixie had been aware of it, and had cheated him.

Hanging his head, he went up to his wife’s bedside and when she said, why do you not rejoice over the fine boy, he told her what had befallen him, and what kind of a promise he had given to the nixie…

Read the rest of the story. [Caveat: The original site is an academic site with tiny font, and no spaces between paragraphs. BUT. It is not the story’s fault that it’s poorly formatted. It’s still a good story, and worth reading through to the end.]

Fave student stories: Kate Crackernuts

It’s that time again! The Intro to Fairy Tales students are sending me their favorite stories, and I’m delighted to share them with you.

Once upon a time there was a king and a queen, as in many lands have been. The king had a daughter, Anne, and the queen had one named Kate, but Anne was far bonnier than the queen’s daughter, though they loved one another like real sisters. The queen was jealous of the king’s daughter being bonnier than her own, and cast about to spoil her beauty. So she took counsel of the henwife, who told her to send the lassie to her next morning fasting.

So next morning early, the queen said to Anne, “Go, my dear, to the henwife in the glen, and ask her for some eggs.” So Anne set out, but as she passed through the kitchen she saw a crust, and she took and munched it as she went along.

When she came to the henwife’s she asked for eggs, as she had been told to do; the henwife said to her, “Lift the lid off that pot there and see.” The lassie did so, but nothing happened. “Go home to your minnie and tell her to keep her larder door better locked,” said the henwife. So she went home to the queen and told her what the henwife had said. The queen knew from this that the lassie had had something to eat, so watched the next morning and sent her away fasting; but the princess saw some country-folk picking peas by the roadside, and being very kind she spoke to them and took a handful of the peas, which she ate by the way.

Read the rest of the story

Get published

This month is blessings and bonanzas month at the Fairy Tale Factory. Not only have we been interviewed and featured, but folks are writing to me to solicit stories for publication. So nice!

Here is the latest call for submissions:

I just wanted to let you know about New Fairy Tales, the online magazine I run, as some of your participants might be interested in submitting their original fairy tales to us. We’re an illustrated magazine with an audio collection as well and we only publish new and original tales rather than retellings.

It’s all run on a voluntary basis, so unfortunately we can’t pay, but we do ask readers to consider making a small donation to my local children’s hospice. It’s a good showcase for the writers’ and illustrators’ work and it helps raise money for a good cause. We’ve published three issues so far and the deadline for submissions to Issue 4 is the 20th October.

There’s lots of info on the site but if you’d like to know anything else feel free to get in touch.